At first, I just wanted to draw attention to a diverse range of objects and photographic practices on which there was no big thing as reading. But I soon realized that these objects represented a significant predominant history of photography challenge. This story is dominated by the values and tropes of art
history, was not well equipped to talk about photographs that were openly commercial, hybrid and mundane. Ie: the history of photography ignores most types of photography. My interest, therefore, have become more methodological and theoretical, in an effort to establish new ways to think of photography that could address the medium as a whole.
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